Eric Gill, The Song of Songs

I have always loved Eric Gill‘s work (though revelations in his 1989 biography by Fiona MacCarthy make me not at all keen on the man himself). Gill (18821940) was a supremely talented sculptor, typeface designer (Gill Sans is probably his most famous), stonecutter and print maker. His work has a wonderfully sparse, graphic quality, with purity of line and lack of fussy ornamentation and detail.

Gill illustrated a 1925 edition of The Song of Songs, otherwise known as The Song of Solomon from the Old Testament of the Bible, published by the Golden Cockerel Press in a limited run of 750 copiesThe Song of Songs is a strange part of the Bible: it is a celebration of erotic, sexual love. Gill was drawn to erotic subjects, and so it is no surprise that he chose The Song of Songs to illustrate.

Eric Gill, woodcut from The Song of Songs, published by the Golden Cockerel Press, 1925.

Eric Gill, woodcut from The Song of Songs, published by the Golden Cockerel Press, 1925.

This piece accompanies the part of the text that reads:

     While the King was reclining

           mine own spikenard gave out his odour.

     A bunch of myrhh is my beloved to me:

          he shall rest between my breasts.

A hand-tinted version of the Eric Gill woodcut in an edition of The Song of Songs, published by the Golden Cockerel Press, 1925.

A hand-tinted version of the Eric Gill woodcut in an edition of The Song of Songs, published by the Golden Cockerel Press, 1925.

I recently bought a small brass plaque with an image that I didn’t recognise, but a style that I did. A bit of poking about on the internet, and my hunch was confirmed: it was based on an Eric Gill woodcut, specifically one from The Song of Songs.

Brass plaque based on the Eric Gill woodcut in , for sale in my Etsy shop. Click on photo for details.

Brass plaque based on the Eric Gill woodcut in The Song of Songs, published by the Golden Cockerel Press, 1925. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

Another view of the brass plaque based on the Eric Gill woodcut in The Song of Songs, published by the Golden Cockerel Press, 1925. For sale in my Etsy shop. Click on photo for details.

Another view of the brass plaque based on the Eric Gill woodcut in The Song of Songs, published by the Golden Cockerel Press, 1925. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

I’m not for a moment suggesting that the plaque itself is by Gill, but it is clear whose artwork is depicted in low relief. The ‘Relax’ underneath is also nothing to do with Gill (a shame the makers didn’t use a Gill typeface for it … Bit of a missed opportunity there!)

There is also a lovely hand-coloured Gill woodcut for sale in the FittedFab shop on Etsy at the moment:

Hand-coloured woodcut 'Angels and Shepherds' by Eric Gill, 1923. For sale at FittedFab on Etsy: click on photo for details.

Hand-coloured woodcut ‘Angels and Shepherds’ by Eric Gill, 1923. For sale at FittedFab on Etsy: click on photo for details.

Website of the Eric Gill Society.

What I’m dreaming of …

It’s such a cold, damp, dismal day today (as Chap and I like to call it: A ‘Grade A’ Grey Day) that I thought I’d post something to cheer myself up.

Here’s a bluebell wood near us, taken on 4 May 2009:

A bluebell wood in Wiltshire, 4 May 2009.

A bluebell wood in Wiltshire, 4 May 2009. The beech and hazel leaves are just coming out on the trees.

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So pretty. The big old tree is a mighty oak.

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Coppiced hazels with bluebells growing underneath.

And here’s our tiny garden, taken on 21 May 2009:

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Sunny days in an English country garden, 21 May 2009.

It’s hard to picture the garden like this right now, when all is black and grey and dingy out there, but things are stirring alreadythe snowdrops are nearly out and there are buds on the pulmonaria. And once spring gets going, it yomps along. So not long now ’til the walks in the bluebell woods that I so love!

Our visitor the fieldfare is still with us24 days now. His apple supply is fast turning brown, so I think we need to buy some more to lob over into the secret garden to keep him with us for a bit longer.

11 years on – Beagle 2 has landed!

Earlier this week came the news that a joint NASA and UK Space Agency and Leicester University announcement about Beagle 2, the British-led Mars probe, would be made on Friday. I have been twitching all week—hoping so hard that the news would be good. And it is!

At last—Beagle 2 has been found! Such great news, courtesy of NASA’s Mars Reconnaissance Orbiter, which sends back images of the planet’s surface from a height of between 250 and 316 km above Mars.

Beagle 2 on the Martian surface. Photo by Hirise / NASA / Leicester University

Beagle 2 on the Martian surface. Photo by HiRISE / NASA / Leicester University

The MRO scientists have been searching for it for years, and at long last they have found Beagle 2 at its Christmas Day 2003 landing spot at Isisdis Planitia. No message was ever received from the probe, and so it was assumed that it had crashed or somehow been destroyed or rendered unable to send back data. Its fate remained unknown.

Now we can see that Beagle 2 landed intact, and due to some of the solar panel-bearing ‘petals’ failing to unfold, it could not generate the energy needed to send back data.

Beagle 2 on Mars.

Beagle 2 and landing equipment on Mars.

The lead scientist, Professor Colin Pillinger, sadly did not live to see this great day. He died last May, but is immortalised at a topographic feature on the surface of Mars: Pillinger Point.

Professor Colin Pillinger and a model of Beagle 2.

Professor Colin Pillinger and a life-size model of Beagle 2.

I wonder if the landing spot of Beagle 2 will be named after its most recent arrival?

(I should add that I bear no truck with talk of the Beagle 2 mission being a heroic failure. It was an incredibly difficult mission achieved on a miniscule budget, and it should be remembered how challenging a successful landing on Mars is—the success rate is 51%. So to have got so close to achieving the mission goals is to be celebrated. And as Prof. Pillinger himself said, in that wonderful, warm West Country accent of his—there are no failures, just experiences providing valuable data from which to learn and progress.)

Sunday stroll: Cold Kitchen Hill

It was a chilly and blustery day today, and we went on a lunchtime walk up on Cold Kitchen Hill, which rises above the Deverills in southern Wiltshire. The Deverills are a set of villages in the Deverill River valley which wends its way between between chalk downs, and there are five of them: Longbridge Deverill, Hill Deverill, Brixton Deverill, Monkton Deverill, and Kingston Deverill. We parked by Kingston Deverill Church, where we saw our first flowering snowdrops of the season in the churchyard.

Scattered snowdrops in the strangely headstone-free churchyard of Kingston Deverill church.

Scattered snowdrops in the strangely headstone-free churchyard of Kingston Deverill church.

Spring is definitely on its waythe birds are twittering and the buds are fattening. The cow parsley is starting to growit always strikes me how early in the season it gets going, but then again it has to be at full height and flowering by late April, so that’s not such a surprise really, I suppose. A raven cronked overhead as we walked away from the church.

As we walked along the road two racehorses were being unloaded from a horsebox and were ridden off. We followed the road to one of the many footpaths and bridleways that cross the hill, meeting the racehorses and their riders. Later, as we climbed the grassy slope, we could see them being ridden at a fair lick over the hill in the distance.

Looking south towards Kingston Deverill.

Looking south from the lower slopes of Cold Kitchen Hill, towards Kingston Deverill.

Looking eastwards from the lower slopes of Cold Kitchen Hill, looking up the valley towards Monkton Deverill.

From the same spot, looking eastwards up the valley towards Monkton Deverill.

A lovely flock of fieldfare, maybe fifty or so, flew over us, and reminded us of our lone visitor (he was still there this morning patrolling the lost gardenI check every day to see if he is still with us). We met a lady, flushed of face and runny of nose, with two serious looking walking sticks, and we stopped and had a natter. She hadn’t seen the fieldfare or the raven but introduced us to a wonderful new termcrookdawsfor flocks of indeterminate black corvids/mixtures of crows, rooks and jackdaws.

Lovely chalkdownland from Cold Kitchen Hill. The track is the Mid Wilts Way.

Lovely chalk downland from Cold Kitchen Hill.

Then onwards and upwards. We startled a hare and it hared off, making a wide circle around us. We wandered over to the trig point on the summit (a mighty 257 metres above sea level). The trig points are built on high points around the country by the Ordnance Survey, the veritable surveying and mapping agency for the UK. The trig point (or trigonometry point, to give it its proper name) is a concrete obelisk with a flat upper surface, into which are set the fittings to accommodate the base of a theodolite.

The top of the trig point, showing attachment fittings for a theodolite. In the blurry middle distance is the beacon, a metal basket atop a high pole.

The top of the trig point, showing attachment fittings for a theodolite. In the blurry middle distance is the beacon, a metal basket atop a high pole.

On the site of the trig point is a bench mark, the height of the top of the horizontal line of which is established in metres above sea level (m ASL). They are invaluable not only for map makers, but for archaeologists and architects and builders and surveyorsin fact, anyone who needs to know the absolute height of where they are. In our archaeologising days Chap and I frequently had to go hunting for bench marks. Their location is marked on OS 1:2,500 maps, along with their value in m ASL, and they are usually on buildings like churches or other structures that are assumed likely always to be there, and unlikely to be demolished.

The bench mark on the trig point on Cold Kitchen Hill.

The bench mark on the trig point on Cold Kitchen Hill.

Anyhow, one of the basic features of a bench mark that it has to be level and unlikely to move, as of course this will alter its height and thus make any readings taken from it inaccurate. So we were somewhat amused by the appearance of the one on Cold Kitchen Hill. The ground at one side has been poached out into a hollow, presumably by cattle or sheep trampling there and resting against it, and so the whole thing leans at a drunken angle, making both the theodolite base and the bench mark, both of which need to be level to be of any use, rather useless.

Chap and the drunken trig point on Cold Kitchen Hill.

Chap and the drunken trig point on Cold Kitchen Hill.

In the distance we could see the beacon which had held the ceremonial bonfires that were last lit across the country in 2012 to celebrate the queen’s diamond jubilee, a rekindled (sorry, couldn’t help it) tradition that harks back to the days when the fastest method of transport was by horse, and so lighting fires in beacons on prominent hills was a far quicker way of relaying a message. Beacon Hill is a very common hill name in the UK, for just this reason. Beyond that, on the horizon, is Alfred’s Tower, a fantastic folly near Stourhead. In another direction we could see Duncliffe Hill and the escarpment on which Shaftesbury sits. And to the north-east was Salisbury Plain. Gliders were flying from the nearby Bath, Wilts and North Dorset Gliding Club.

Beautiful skyscape, looking north from Cold Kitchen Hill towards Salisbury Plain.

Beautiful skyscape, looking NNE from Cold Kitchen Hill towards Warminster.

It was very windy and pretty coldthe kind of keen wind that makes your mandibles/ears ache, for some reason, so we headed back down the hill. We scared a lark from its roost in the grass, but it settled nearby very quickly. On the way we noticed an abandoned ranging rod in the fenceline by the Mid Wilts Way, the sort we have used many times on archaeological sites, for surveying and to serve as 2 metre scales in photographs. I assume it was left by a surveyor, possibly an archaeologist, and forgotten. It was a wooden one, which dates itmost are metal and come in two parts these days.

The abandoned ranging rod. Note the bottom hinge on the gate made of the farmer's best friend, baler twine.

The abandoned ranging rod. Note the bottom hinge on the gate made of the farmer’s best friend, baler twine.

When we got back to the car we decided to have a look around the churchbut that’s for another post, I think.

Pretty in pink

I was never a girly girl and so pink isn’t my top colour (give me orange any day). But I have a couple of pieces of rose quartz jewellery in my Etsy shop at the moment that I really, really like: the colour is so delicate and light, and the crystal so clear that I find both immensely appealing.

Skonvirke rose quartz and silver ring. For sale in my Etsy shop:

Skonvirke rose quartz and silver ring. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

I love this Skønvirke ring, which dates from dates from c. 19101920. Skønvirke (often anglicised to Skonvirke, and meaning ‘beautiful work’) was a Nordic offshoot of the Art Nouveau and Arts and Crafts movements, with its artistic centre in Denmark. Georg Jensen and Evald Nielsen were perhaps its most famous proponents. This ring isn’t signed, but is unmistakably Skønvirke in style, with the free-form globular and organic silver designs on the shoulders of the ring, and the beautiful split collet. Even though it is almost 100 years old, it looks amazingly modern and funky. The natural striations within the quartz add interest and life.

Rose quartz Arts and Crafts pendant necklace, probably German. For sale in my Etsy shop: click on photo for details.

Rose quartz Arts and Crafts pendant necklace, probably German. For sale in my Etsy shop: click on photo for details. (NOW SOLD).

The second piece is an Arts and Crafts pendant necklace, probably made in Germany and dating from just a little earlier than the ring, ie from between 1900 and 1910. It seems likely that originally the necklace had two of the dangling teardrop shaped pendants below the circular cabochon, on single chains of differing lengths, giving an asymmetrical appearance. At some point in the past one of the teardrops was lost, and the necklace reconfigured so that the remaining teardrop hung centrally below the cabochon.  There is some damage on one side of the circular cabochon, with fractures, and a crack and chip in the teardrop, but these aren’t too noticeable given the overall striated appearance of the quartz crystal. It is still a very pretty and delicate piece of jewellery, and perfect for someone who loves a piece with a hundred years’-worth of story.

Lovely as they are, I’m not a Barbie Girl just yet. This is as close to pretty in pink as I am likely to get:

The Psychedelic Furs’ 1981 album Talk Talk Talk was one of the soundtracks to my early ’80s …

Fetch, girl!

Hecate spectacularly failing to secure our supper

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Photographed in January 2010. The cock pheasant hung around the gardens near us for over a year. There are shoots nearby, so I don’t know if he eventually succumbed to a gun, or a predator, or old age (what is a pheasant’s life span?) or simply wandered off elsewhere. We certainly missed him and his clattering call and beautiful colours.

Round and round the apple tree

By coincidence, my last couple of posts have been about Scandinavia, snow and ice, and ovicaprids. I’m not going to manage to shake free of all of those in this post either …

Filedfare. Photo by Arnstein Rønning.

Fieldfare (Turdus pilaris). Photo by Arnstein Rønning.

We woke this morning to a terrific hard frost. The countryside is white; the trees are white; it is gorgeous. It’s not quite so gorgeous inside our bedroom, where there was ice on the inside of the windowsone of the joys of living in a 300 year old cottage with all its draughts and dampness and ill-fitting doors and windows.

We call one of the gardens next to ours ‘the secret garden’. Not so much because it is hidden, but because no-one uses it. The cottage to which it belongs is rented, and none of the tenants in the last few years has shown any interest in it. Contract gardeners come and cut the grass about four times a year, and that’s it. We can see into the garden from our bedroom dormer window. There is an alder tree which has grown from a small sapling when we arrived in 1992 to a large, two-trunked tree; there is an old ruined cottage or barn or outbuilding, the stone walls of which survive to about a metre or so high and are gradually being covered by brambles; and there is a venerable old apple tree. The apple tree always fruits prodigiously, and because no-one uses the garden, the apples stay where they fall. They provide welcome food for wildlife in the winter months.

This morning the apples were providing a frosty feast for about nine or ten blackbirds (Turdus merula), a grey squirrel (Sciurus carolinensis), and a single fieldfare (Turdus pilaris). Fieldfare are a palaearctic species, living in more northerly latitudes in the summer and heading south in the winterour fieldfare come from Scandinavia. Normally they travel in flocks, so it is always surprising to see a lone one. This one was vigorously defending its food, spending more time chasing all the blackbirds away than it was eating. Watching them, I could almost hear the Benny Hill Show theme tune in my head as the fieldfare scooted round and round the apple tree in hot pursuit of a blackbird.

Play nicely, children. Photo by Dave Jackson.

Play nicely, children. (This is a small fieldfare as an adult fieldfare is quite a bit larger than an adult blackbird). Photo by Dave Jackson.

I would love to have seen this many!

Update 4 January 2015: A week on and the fieldfare is still with us. He sits in one of the higher beech trees that surrounds the secret garden, and swoops down to chase off larger interlopers who are getting too close to his precious stash of slowly-rotting apples. He tolerates the smaller birds such as chaffinches (Fringilla coelebs) and dunnocks (Prunella modularis) and blackcaps (Sylvia atricapilla), but is aggressive in his pursuit of the blackbirds. Even larger birds like jackdaws (Corvus monedula) get the ‘get orf moi laaaand’ treatment from him (or should that be written in a Scandinavian rather than a West Country accent?)

Update 29 November 2016: The fieldfare stayed for about a month, leaving the day our neighbours on the other side of the secret garden started having some very noisy chainsaw work done on their trees. We didn’t see him in winter 2015, but this morning we woke to a hard frost and a lone fieldfare guarding the apple tree in the secret garden. Is it the same bird? I’d like to think so ….

Straw goats and arson: the Gävle Goat

Every now and then I find a quirky little article on Wikipedia that captures my imagination or fires me up or makes me go ‘Whaaat?’ or just makes me smile. I love quirky stuff. And the Gävle Goat (Gävlebocken in its native Swedish) is certainly that.

The in snow, 18 December 2014. From the

The Gävle Goat in snow, 18 December 2014. Photo from the Gävle Goat Twitter account.

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The Gävle Goat as pictured on the webcam, 11.49 am Swedish time on 22 December 2014. Still here!

Every year, a giant version of the traditional Yule Goat is erected in the Swedish city of Gävle, in time for Advent. And every year, people try to burn the goat down.

The Gävle Goat is made of straw, is 13 m tall, 7 m long and weighs 3.6 tonnes. The first Goat was built on 1 December 1966, and was burned down on New Year’s Eve that year, starting a tradition of festive caprine arson. Since then the Goat has been protected by a fence, been given security guards and in 1996 a webcam was installed. But despite all this, the arson and other attacks on the Goat continue.

It has been hit by a car, kicked to pieces (several timesthat’s some dedicated kicking), hit by fireworks, attacked by Santa Claus and the Gingerbread Man, scaled by drunks, collapsed due to sabotage, and of course burned, a total of 27 times. One year in particularly cold weather the guards popped into a nearby restaurant to warm up, and almost inevitably they weren’t the only thing that warmed upthe arsonists struck in their absence.

Photo by Apeshaft.

The Gävle Goat of 2009. Photo by Apeshaft.

There have been Goat Wars between the two rival goat-building groups, international attacks on the Goat (a Norwegian was arrested and an American jailed for attacking the Goat), and bribery attempts on the guards, who were asked to turn a blind eye to a planned theft by helicopter (Yes. Seriously).

One that didn't make it ... the 1998 Photo by Adent.

One that didn’t make it … the 1998 Gävle Goat. Photo by Adent.

You can watch the Goat on its dedicated webcam, at least until it is burned down or if it survives, is dismantled some time after Christmas. And this being the age of social media, of course the Goat has a blog and a Twitter account

Update 29 December 2014: The Goat is being dismantled as I type: apparently it is off to China, where the Year of the Goat starts on 19 February. Sad to see it go, but at least it survived this year! Hurrah!

Lost sheep, icy murders, and an immortal

Every now and then I hear a piece of music that is so distinctive that whenever I hear it subsequently I know it immediately. One of these earworms for me for a Norwegian folk song called ‘Den Bortkomne Sauen’‘The Lost Sheep’.

I first heard this melody while watching the marvellous Coen Brothers film Fargo, which was released in 1996. The main theme of the film is an adaptation by Carter Burwell of ‘Den Bortkomne Sauen’.

Such a distinctive melody, which seemed to echo so well the icy landscapes of northern Minnesotaa wintery land populated by people of Scandinavian extraction where horrible murders happen, wood chippers optional, and heavily-pregnant police chiefs doggedly pursue their man. The music stuck with me, a lovely earworm I didn’t expect to hear again.

Fast forward a few years. I listen to a lot of BBC Radio 4 while I work, and I particularly enjoy the afternoon dramas. One set of plays that grabbed me right from the start was the Pilgrim series by Sebastian Baczkiewicz, the first episode broadcast in 2008 and now five series in. The stories involve William Palmer, a 12th century immortal cursed to wander the modern British countryside, encountering faeries and demons as well as hoodies and housewives. And lo! Used in Pilgrim was ‘Den Bortkomne Sauen’, a version played by Norwegian musician Annbjørg Lien on her Hardanger fiddle, accompanied by a church organ:

The later Fargo version, with its syrupy harp at first and rather overblown orchestration after the fiddle part, has wonderfully slow tempo, full of foreboding. Annbjørg’s 1994 version is plaintive and stripped-down, but at a slightly faster tempo, and I could really sense the lost sheep in the icy Nordic snowdrifts as she played. It also fitted perfectly with the theme of Pilgrim, with Palmer the lost soul condemned to wander forever.

A Hardanger fiddle, made by Knut Gunnarsson Helland. Photo by Kjetil r.

A Hardanger fiddle, made by Knut Gunnarsson Helland. Photo by Frode Inge Helland.

Annbjørg’s version is available on her album Felefeber (‘Fiddle fever’), released in 1994, and available on Amazon. Series 3 of Pilgrim was awarded the Silver Medal for the Best European Radio Drama of the Year at the Prix Europa in Berlin, and nominated for the Prix Italia Best Original Radio Drama award. It’s a great listen if you get the chance. As one other listener described it so well: ‘I love the way one world settles seamlessly in-between the cracks of another’, and in that same post Sebastian has confirmed that Series 6 and 7 have been commissioned, hurrah!

And then earlier this year, I was delighted to see/hear that the title track of the 2014 television series adaptation of Fargo, which I hugely enjoyed, had nods to ‘Den Bortkomne Sauen’ and its use in the original film:

I haven’t seen it yet, but apparently ‘Den Bortkomne Sauen’ also crops up in the Norwegian tv series Lilyhammer (and no, that’s not a typo). I am definitely going to catch up on this one as it is a Norway-set mash-up of The Sopranos (my all-time favourite tv series) and Scandinoir, with a good dash of comedy thrown in, and stars Steven Van Zandt as Frank, an Italian-American mafioso relocated by the Federal Witness Protection Program to Lillehammer. Frank even picks up a lost sheep in the very first episode, so I read.

Update 22 December 2014: A new series of Pilgrim has just started this afternoon on Radio 4. The Beeb hasn’t exactly gone overboard with publicising it, as the first I heard about it was when I was listening to the radio and it started! But hurrah, more, new Pilgrim!