Every now and then I hear a piece of music that is so distinctive that whenever I hear it subsequently I know it immediately. One of these earworms for me for a Norwegian folk song called ‘Den Bortkomne Sauen’—‘The Lost Sheep’.

I first heard this melody while watching the marvellous Coen Brothers film Fargo, which was released in 1996. The main theme of the film is an adaptation by Carter Burwell of ‘Den Bortkomne Sauen’.

Such a distinctive melody, which seemed to echo so well the icy landscapes of northern Minnesota—a wintery land populated by people of Scandinavian extraction where horrible murders happen, wood chippers optional, and heavily-pregnant police chiefs doggedly pursue their man. The music stuck with me, a lovely earworm I didn’t expect to hear again.

Fast forward a few years. I listen to a lot of BBC Radio 4 while I work, and I particularly enjoy the afternoon dramas. One set of plays that grabbed me right from the start was the Pilgrim series by Sebastian Baczkiewicz, the first episode broadcast in 2008 and now five series in. The stories involve William Palmer, a 12th century immortal cursed to wander the modern British countryside, encountering faeries and demons as well as hoodies and housewives. And lo! Used in Pilgrim was ‘Den Bortkomne Sauen’, a version played by Norwegian musician Annbjørg Lien on her Hardanger fiddle, accompanied by a church organ:

The later Fargo version, with its syrupy harp at first and rather overblown orchestration after the fiddle part, has wonderfully slow tempo, full of foreboding. Annbjørg’s 1994 version is plaintive and stripped-down, but at a slightly faster tempo, and I could really sense the lost sheep in the icy Nordic snowdrifts as she played. It also fitted perfectly with the theme of Pilgrim, with Palmer the lost soul condemned to wander forever.

A Hardanger fiddle, made by Knut Gunnarsson Helland. Photo by Frode Inge Helland.

Annbjørg’s version is available on her album Felefeber (‘Fiddle fever’), released in 1994, and available on Amazon. Series 3 of Pilgrim was awarded the Silver Medal for the Best European Radio Drama of the Year at the Prix Europa in Berlin, and nominated for the Prix Italia Best Original Radio Drama award. It’s a great listen if you get the chance. As one other listener described it so well: ‘I love the way one world settles seamlessly in-between the cracks of another’, and in that same post Sebastian has confirmed that Series 6 and 7 have been commissioned, hurrah!

And then earlier this year, I was delighted to see/hear that the title track of the 2014 television series adaptation of Fargo, which I hugely enjoyed, had nods to ‘Den Bortkomne Sauen’ and its use in the original film:

I haven’t seen it yet, but apparently ‘Den Bortkomne Sauen’ also crops up in the Norwegian tv series Lilyhammer (and no, that’s not a typo). I am definitely going to catch up on this one as it is a Norway-set mash-up of The Sopranos (my all-time favourite tv series) and Scandinoir, with a good dash of comedy thrown in, and stars Steven Van Zandt as Frank, an Italian-American mafioso relocated by the Federal Witness Protection Program to Lillehammer. Frank even picks up a lost sheep in the very first episode, so I read.

Update 22 December 2014: A new series of Pilgrim has just started this afternoon on Radio 4. The Beeb hasn’t exactly gone overboard with publicising it, as the first I heard about it was when I was listening to the radio and it started! But hurrah, more, new Pilgrim!