I’ve recently become enamoured of the work of Norman Grant, a Scottish silversmith (and occasionally goldsmith) who produced gorgeous work from the late 1960s to the late 1970s. Grant used enamel beautifully; he also favoured organic shapes such as bubbles, circles and peacock feather-like details. Apparently he drew a lot of his inspiration from the nature he observed around him. His use of colour was beautiful too – he favoured mainly blues and purples, but also reds, oranges, ochres and browns.
There are several designs of his which I particularly love. The first is his ‘bubble’ jewellery, featuring open circles of silver, sometimes arranged randomly and sometimes like the petals of a flower.
The second is a development of the bubble jewellery, but which features a peacock feather-like motif. The terminal heart-shaped motif has also been used on its own in his jewellery designs, and is described as a lily-pad.
He also made many pieces in what could loosely be described as an Art Nouveau style, often with blowsy floral and botanical motifs:
as well as scenes of local Scottish life:
He also made nature-based pieces in a more modern style:
and more modernist, abstract pieces:
After Grant retired from jewellery making to work for De Beers in London in the early 1980s, but his company, Dust Jewellery, continued making jewellery into the 1990s.
There are a couple of good articles online about Grant which are well illustrated and well worth a read:
http://www.modernsilver.com/normangrant.htm
https://www.modernvintagestyle.co.uk/blog-section/about-norman-grant-jewellery